Показаны сообщения с ярлыком hardcore. Показать все сообщения
Показаны сообщения с ярлыком hardcore. Показать все сообщения

Skull Kontrol



Skull Kontrol was formed in Autumn 1997 in Washington DC, and was originally based around the musical assault trio of Brooks Headly, Kim Thompson (The Delta 72 & Cupid Car Club) and Chris Thomson (Circus Lupus, Los Mordidas and Monorchid, Ignition, and the awesome one 7" only Fury). After the demise of the Monorchid Andy Coronado was added to the Skull Kontrol mix to avoid any lazy power-trio comparisons.
The group played its first few formative gigs as a real live band with Chris sharing both guitar and vocal duties. After deciding that most bands with a singer/guitarist were lame, Chris opted to be an unburdened singer.
Skull Kontrol toured the US graciously infecting locals with the concept that you don't need costumes, public relations, guarantees, or even a record to tour and perform music - just energy, attitude and the desire to rock.
The collective goal of the group was to avoid the prevalent "professional working band" attitude that had recently infected so many underground bands. They felt that something had to be done to strip away the layers of bullshit and corporate standards of performance embraced by so many of today's groups. Substituting instead a stripped down energetic sound and a solid punk dynamic they were more than able to meet this challenge.
Skull Kontrol says in all your forms of daily life please deviate beyond all means of capture. They want you to please think before you buy some contemporary "flavour of the month" thinking-person's music or some major label's idea of the emperor's new clothes, as it is only a matter of time before you discover your mistake and realise how right they were after all.


Deviate Beyond All Means Of Capture (1999)
Zzzzzz... (2000)
Midgets Tape

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Naked Raygun



Naked Raygun was founded in Chicago in 1980, by Marco Pezzati, Jeff Pezzati and Santiago Durango. During their eleven-year career, they released six albums that would change the sound of punk rock indefinitely.

Shortly after their first release, Basement Screams Durango left to join Big Black permanetly, and was replaced by John Haggerty, whose unique style of buzzsaw guitar would define Raygun’s sound for their next four albums. Additionally, Pierre Kezdy replaced Camilo Gonzalez and Eric Spicer took over drums for Jim Colao. In 1990, Haggerty left the band to start Pegboy. Bill Stephens joined the band for their final studio release entitled, Raygun...Naked Raygun.

Naked Raygun is widely recognized as being one of the most influential punk bands of the 80’s. Their anthemic style incorporated politics in a uniquely accessible way, melding pop and hardcore into one cohesive sound, that would later be dubbed, “The Chicago Sound”. In 1999, Quarterstick Records reissued the entire Naked Raygun catalog. Following a successful Chicago reunion show, Naked Raygun reunited in 2007.

Basement Screams
Throb Throb
All Rise
Jettison
Understand?
Raygun... Naked Raygun

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Stretchheads

The band was formed in 1987 by Andy Maconald (aka "Dr. Technology", guitar), P6 (aka "Fat Bastard", "Wilberforce", real name Phil Eaglesham, vocals), with the line-up completed by Mofungo Diggs (Steven MacDougall, bass) and Richie Dempsey (drums). The band wore asbestos firewear, gas masks, flashy shirts and balaclavas on stage, and after support slots with the Happy Mondays, The Wonderstuff and The Shamen began their recording career on the Moshka label with the Bros are Pish EP, poking fun at then chart-toppers Bros, among others. This resulted in discussion in a Smash Hits inerview, with Craig explaining to the Goss brothers what 'Pish' Meant. Their debut album, Five Fingers, Four Fingers, a Thumb, a Facelift and a New Identity followed in 1989. Dempsey departed to join Dawson, and was replaced by Mr. Jason (Jason Boyce) of the Dandilion Adventure, and the band were signed up by top indie label Blast First. Their first release on Blast First was the 1990 EP Eyeball Origami Aftermath Wit Vegetarian Leg. A further single 23 Skinner followed in January 1991 before their second album was issued, Pish In Your Sleazebag. Touring Europe and playing shows with dutch band Revenge Of The Carrots and old colleagues Dog Faced Hermans, the band split up in 1992, before which they recorded a session for John Peel's BBC Radio 1 show. Two years later, their last, posthumous, release was the Barbed Anal Exciter EP
p6 /Phil Eaglesham and Richie Dempsey are currently both members of DeSalvo along with Allan Stewart of Idlewild and Alex Grant, formerly of Idlewild. The band released their debut album on Mogwai's Rock Action Records in 2008.

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AC4


Amazing new band with the following band members: ex Refused Dennis Lyxzén,
David Sandström , Karl Backman -
Guitar of Vectors, Jens Nordén - Drums of Regulations !
AC4 debut is 15 songs of intense power. Fast furious Hardcore in the vein of Minor Threat,
Black Flag, Negative Approach, Jerrry kids etc etc.
The hardest challenge for the guys was not the regenerate the energy of being young but to
write lyrics that fits with being 35+ and still being a punk!

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Eye for an Eye


Eye for an Eye began in 1988 as Jason Grotrian and Ravi Dhar playing guitars, Adam Doneas on bass, Thos Niles on drums, and Lloyd Stanley singing. By mid '89 Adam was gone and Kevin Norton was in. Ravi left before the year was up and the line stabilized for the lion's share of the band. We did what we did to have some fun and because we didn't know what else to do. By the time it was over Dean Baltulonis had joined on 2nd guitar. Out last show was at the 8 Ball Skate Park Somewhere, MA in the spring of 1991, but the cops shut it down before we played.

Myspace

Omega Drone
100 Percent Unnatural

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Cast Iron Hike


With their formation in 1996 that resulted from the breakup of the Boston hardcore act Backbone, drummer Dave Green and guitarist Christian Pupecki got together Cast Iron Hike that same year with Jacob Brennen (vocals), Michael Gallager (guitar), and Peter Degraff (bass). Continuing the short, fast, and loud formula of their prior band, Cat Iron Hike immediately played a series of shows throughout the East Coast before their debut EP The Salmon Drive came out in 1996. The following year, Victory Records released the album Watch It Burn while Trustkill Records put out a self-titled EP in 1998.

Self-Titled EP
Watch It Burn

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Kieltolaki


Kick ass hardcore in the best traditions of 80s finish hardcore-like a tighty wound early Riistetyt. This hos somewhat richer production with thrilling originality in the guitar changes of pace it boasts loads of power while making for distinctive, original compositions. All song a well under two minutes, and makes you ache for an albums worth of this stuff.Strongly recomended


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Reagan Youth




David Rubinstein was born in 1964. He formed "Reagan Youth" with guitarist Paul Bakija when both were in high school in Rego Park, Queens. While they were still in high school, the band played the punk clubs of Manhattan. In fact, David's science teacher became a roadie for the band (That high school teacher was so into the punk scene that he shaved his head and as a result almost go fired by the school administration).

As the members graduated from high school, Reagan Youth was performing regularly at C.B.G.B.'s and an established band on the country's budding punk rock scene. They recorded a single, then an album. They toured cross-country many times, performing with all of the great hard-core punk bands of that era. At the "Rock Against Racism" shows in the early 1980s, Reagan Youth shared the bill with the Dead Kennedys, the Bad Brains, and others.

Reagan Youth recorded its first album and signed a simple contract, hand-written on the back of a poster for a gig. That album sold over forty thousand (40,000) copies. The band also appeared on several compilations albums, including Live at C.B.G.B.'s. They were a mainstay at C.B.G.B.'s Sunday afternoon hard-core matinee concerts.

Reagan Youth's music was ironic and political. They preached the gospel of "peace punk." David was known as "Dave Insurgent." The name "Reagan Youth" was ironic, given David's family background as holocaust survivors. The cover of their 2nd LP featured a photo of Hitler shaking hands with an emissary of the Pope. Their song titles included "Jesus Was A Communist" and "New Aryans."

By the late 1980s, the members of Reagan Youth were frustrated and worn out from years of touring and drug abuse. They had never made any money in the music industry. When Ronald Reagan left the White House, they officially disbanded. David and several other band members continued to play music together, although their new group never achieved the same success or momentum as Reagan Youth.

By this time as well, David had developed a serious heroin addition. He was also dealing drugs, although he was not very shrewd at it. David had the bad habit of consuming the drugs he was supposed to be selling. He was a loudmouth. When a supplier would ask him for money that was owed, David would sometimes reply, "You'll get you money when I say you get it."

In a drug deal gone bad, another drug dealer violently beat up David with a baseball bat. He was hospitalized for weeks. When he got out, he returned to his parents' home. There, he continued to use drugs, smoking pot in his bedroom as his parents tried to help him recover. Eventually David left his parents' home and moved back to the lower East Side. By now, between the violent assault and his continued drug use, he was no longer an energetic anarchist. He had become a bit disheveled, and many of his friends from the punk scene no longer associated with him.

David began dating Tiffany B., a prostitute who worked on Houston Street. David had told his parents that she was a dancer. Tiffany supported the couple and their drug habit by turning tricks. David would often hang out on the street with Tiffany, waiting while she serviced a customer, and then going with her to score drugs.

Around this time, David's mother died in a freak car accident. One night, David and Tiffany were waiting on Houston Street when a familiar customer pulled up in a pick-up truck. Tiffany got in, telling David that she would return in twenty minutes. She never came back. David called the police with a description of the truck and went to all the hospital emergency rooms in the city searching for Tiffany. A few days later, on Long Island, the police pulled over a truck and found Tiffany's body in the bank. They arrested the driver, Joel Rifkin, Long Island's most famous serial killer, who was later linked to killing numerous prostitutes.

Depressed and alone, after the unexpected losses of his girlfriend and his mother, David headed into a downward spiral. One month later, David Rubenstein p/k/a "Dave Insurgent" committed suicide.


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Insted


1986 - 1991

Insted was created in the spring of 1986. After writing a handful of songs they began playing backyard parties and garage gigs. By the end of the yearthey had developed a following in Anaheim and decided it was time to record a demo. In 1987 they caught the attention of local hardcore label Wishingwell Records, ran by Pat Dubar and Pat Longrie of Uniform Choice. They signed a deal with them later that year, wrote more songs, and began opening for some of the bigger bands at venues all across Southern California. By the time they finished the recording of what would become the "Bonds of Friendship" album, they had opened shows for national acts and expanded their following throughout Orange County. Before their first record was released, the band line up was solidified and they we’re ready to take their show out on the road. This would bring us to the summer of 1988, in a time when the straight edge-hardcore movement was growing. Insted embarked on their 1st national tour and began their system of touring, coming home and writing new songs, playing locally, recording, and then going back out on tour.

These were the key ingredients that defined Insted and would earn them an important spot in the hardcore punk scene. In the spring of 1989 they flew to New York to do some dates with Vision and strengthen their relationship with the East Coast. That summer they released the "We’ll Make the Difference" 7" on Nemesis records and were back in the van for another full U.S assault.

That summer they shared the stage with bands like Gorilla Biscuits, Bold, Uniform Choice, Slapshot and Reason to Believe. Upon returning home, they were offered a record deal from Epitaph Records in which they accepted. Insted’s following had steadily grown and they were now headlining 1000 seat venues and drawing massive crowds. During the recording of "What We Believe" they made plans to expand their borders and tour Europe. But at the end of 1990, shortly after "What We Believe" was released, America went to war with the Middle East. Due to the circumstances they were unable to ship equipment over seas and decided to stay in their homeland. In the spring of 1991 they did another national tour. They were now sharing the stage with bands like Judge, Snapcase, and the Cro-mags. The hardcore sound of the early 80’s that they were so familiar with was changing. It was turning into a hard metal edge sound and the attitude of the scene reflected it. Bands that they looked up to like Uniform Choice and Youth of Today were broken up and their old time favorites Minor Threat and 7 Seconds were long gone.

When they returned from tour they began working on new material but felt out of place. The band had built its reputation on respect and integrity. In July of 1991 they decided to do a final show and bow out gracefully. Spanky’s Cafe in Riverside was one of their favorite spots and a perfect host for their humble grand finale. They made sure to include on the bill a few of the promising up and coming local bands.

Over the years Insted traveled throughout the country making friends and building a legacy that ingrained them into hardcore history. To this day the friendships they built are still in tact and their legacy lives on.

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Flagman



Flagman was a PA/NJ area band that existed from 1991-1994. They are slowly becoming one of those “obscure” hardcore bands, and I don’t want that to happen.

Alec, the drummer of Flagman, gave me a very detailed history on the band. Thanks to Alec for being so supportive of this!

“Flagman originally started out in 1989 as a band called Loud and Clear, in Bensalem PA. At the time, the band consisted of myself, Sean McCabe, Sam Pinola and John Shearstone. We had started playing music together for a pure and simple reason. We were 4 of about 10 straight edge kids in out entire town. We figured it was our job to get Bensalem on the SxE music map. So we bought some equipment, and that was that. Cutting school in favor of band practice, and playing a show or two at peoples houses that was about all we did with Loud and Clear.

Guys in the band started not getting along, and my brother (Dave) had gotten a pretty nice bass set up (peavey bandit amp, and a no-name basssweet!). Plus he knew a kid named Ed Zielanski that was supposedly pretty good on guitar (and had a Fender Strat no less!) so Sam left the band, and in came Ed and Dave. John our former guitarist was moved onto the microphone. We changed our name to Flagman at that point, because we felt we had changed the band around and were heading in a new direction (This btw was the name of our demo that we recorded at Jake Hains Unisound studio, in Reading PA under the new band name) Plus we had seen a Flagman sign on the way down the shore one day. It all seemed to make sense (or at least then it did)

WellI am sure you never heard the demo. There is a reason for that: It SUCKEDReally bad. So we didnt release too many of those. We should have known when we saw the Unisound studio set up was a bunch of microphones from the 1930s, rubber banded to cymbal hardware.

If anything good came out of that recording, it was that: A: we were able to get some shows at the Unisound. And B: We realized that we didnt like John singing. So we got Sean McCabe to start singing for us. It was much better this way, because everyone was much better friends with Sean anyhow. Our first show as Flagman had us opening for 4 Walls Falling and Burn, at the Unisound. After that, we had gotten a couple more shows, however Sean at this point decided to take a jaunt down to North Carolina with some girl we all went to high school with. We had 2 shows booked that weekend he left, and we wound up having to cancel them. Also, Seans commitment towards the band was kind of questionable. When playing shows up at the Unisound, we had befriended this kid that sported glasses, and always wore a Celtics Larry Bird jersey. We went up to the Unisound that weekend to the one show we had to cancel, and saw the Celtics jersey kid. later found out his name was AJ Edminston, and we asked him if he wanted to be in our band. Later that week, we practiced with him, and he played an Earth Day concert at our High School as a test run. Everything went well. We played our first real show with AJ up at the Unisound with Mouthpiece, Lifetime, and Ressurection. The show was awesome, and halfway through our set, the band got asked if we wanted to release something on Watermark records. This is the way things got done at the UnisoundYou are halfway though playing your set, one of the Jordan brothers pulls your singer aside to ask if you want to put out a 7. Well, of course we were like FUCK YEA. And that was that. Signing with Watermark, did not only include a luxurious record deal, but also came along with the services of Joel Jordan. We needed a 2nd guitarist, and he was funny as hell and fit right in.

We recorded the Restraint 7 at Dome Studios in Royersford PA in 1991. Our 7 did not actually come out until 1993. We had many, MANY problems with Watermark, and had actually even started recording our 2nd 7 with Consequence Records, at Why Me studios during the Watermark hiatus. Before we started recording the Consequence 7 we kicked Joel out of the band, Dave moved over to guitar, and we got Josh Brown playing bass for us. He was a great addition to the band, and turned out to be an even better friend. This is the lineup that would remain until the end of Flagman.

Many shows, and stories later, we recorded our final 7 on Low Orbit records (which was owned by friend Eric Zimmerman), At Why Me. We played our last show in Massachusetts, with a ton of other bands at a HC fest. To be honest, playing this show as our last was one of the most regrettable things with the band, at least for me. The whole existence of Flagman was very personal, and this last show just did not have that feel to it. Luckily the band was all about great memories of growing up together

…Everyone is a child of their past - To Reflect “Its for Life Comp”

Members of Flagman were/are also members of following bands: Crud is a Cult, Mouthpiece, Savanah, Mandella Strikeforce, Ink and Dagger, Ruby Keeler, Laurel, Battery, Lenola, Like a Fox, Favourite Sons, Hamsicle, The Series…And more that I am probably forgetting

When Flagman was not playing shows they could be seen: At Taco Bell with the Grease, playing CRUD shows, shooting BBs into imitation Les Pauls, making crank calls, running scams, cruising around suburban Allentown for girls, saying MIEW, hanging out in Ocean City, and pissing off truckers and Virginian rednecks on the CB. ”

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Strife & Snapcase & Earth Crisis



The California Takeover is a split album by the American metalcore bands Earth Crisis, Strife and Snapcase, which was released in 1996. The album was recorded live at The Whiskey in Los Angeles, California on April 12, 1996.
Great bands=great show

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Children Of Fall


Children Of Fall was formed out of the ashes of many now since long defunct bands from the 90's era. Since then many things have come to pass and change, people have made entries and exits and we've moved endless miles geographically and "spiritually" (not to be misunderstood or misinterpreted as being an indication of potential religious belief). We've sworn in blood to seek to inspire others to explore their own passions and pain for this world. To reach beyond our own everyday boredom and find outlets of expression suitable for each an everyone of us. We gather around a system of loose Anarchistic ideas and beliefs. We hold no faith in religions and/or the organized spiritual world, but we have faith in the act of (wo)man and our own potential as human beings. Music has been made one of the languages we speak although most of us have other platforms or ambitions as well. But this medium of blended words and chords has proven to give us the freedom we most desire in our pursuit to give expression to the inner most of all. We're now some 350 DIY shows down the line and just fullfilled our ambitions for our 3rd fullength album "Bonjour Tristesse". In the process of this many things could be said about progress and regress, pleasure and pain but that..s left for the outside world to interpret and judge... We encourage you all to take a deep dive into our music and lyrics and find what needs to be found subjectively to each and everyone. No borders and no boundaries. No pain without a purpose. This is music and the love for it...

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Tripface




In 1992 Jeff Fabb (Drums), Brian Langan (Guitar), and Brian Green (Bass) started an unnamed punk metal band out on the Eastern End of Long Island. They enlisted a local skater kid Scott Jarzombek to sing. The band was originally named Godhead, after the song by the New York Hardcore band Burn, a major influence of the bands singer.

The bands geographic location, the eastern sticks of Long Island, automatically made them outsiders to the LI and NY scene. The band began to organize and play shows with their friends in their small town. These shows were in local basements, recreation halls and garages. For the most part they were more parties then shows, a handful of skaters, metal heads and geeks from the local area high schools coming together to hang out. The show line ups were always with their friends Grid and a mix of side projects.

Over the first year of their existence the band went through numerous member, style and name changes. Existing for a short time as the side project Offsides, with Scott moving to bass and his best friend, Ross Milligan, on vocals. Sometimes the band would play under the name Offsides and other times as Tripface. Sometimes they would play together, sharing a set. It was Ross who gave the band the name Tripface.

Offsides would give birth to the first recorded line up of of the band. Austin Macdonald, Offsides guitar player moved to bass, Scott back on vocals and a friend from school, Rory, on guitar. It was with this line up that the band would play live on WUSB’s Riptide. The set was recorded, and released as a split cassette with their friends Grid. After a kind review in Artie Philly's Paranoid Zine section of Under the Volcano, long Island began to take notice of the small “East End” hardcore scene.

After a handful of shows and a failed attempt to record a demo, this line up ceased to function. Their popularity continued to grow thanks to the circulation of their live split. Jay May, a fellow East End resident who had been doing sound at local LI shows and had recorded the unreleased “Offsides” demo, approached Scott and Austin about reforming the band with him on guitar.

The band was reborn, recruiting Dave Allen to play bass and Pete Ruland on drums. This would be the final and most productive line up of the band. Playing a cross of Snapcase meets Judge; the band grew in popularity in their home scene of Long Island and began to make a dent on the east coast.

After only a few months of having the new line up together the band recorded the “Closed In” demo. This included the newly written title track, a song written by the original Godhead line up, “Brotherhood” and the Offsides song, “I’ve Lost”. The band played WUSB again, and another cassettes split was released, again with their friends Grid. Austin soon left the band over musical and ideological differences.

This final line up was the most productive and well know version of Tripface. The band would stay a four piece, with Ryan Motive filling in on bass for tour. The band would go on to play such legendary clubs as CBGBs, The QE2, Right Track Inn, The PWAC and The Wetlands where they shared the stage with bands like Warzone, Sheer Terror, Agnostic Front, Hatebreed, and Outburst. They only did one East Coast tour, with NYHC legends Indecision, and did long weekends with bands like Marauder, Blood for Blood and Earth Crisis.

The band was picked up by Artie Philly’s new subsidiary of Wreakage Records, Exit. They were also taken under the wing of Tyler King at King-sized booking, who can be credited with much of the bands later success. The band recorded a 7-inch “This Foundation” in 1995 and then their full length CD "Some Part Sorrow" in 1996. They were also featured on the From the Ground Up Compilation (Eyeball Records), The Mindset Overhaul Compilation (Wreakage Records) and the Release DVD (Victory Records).

In 1997 Scott Jarzombek left the band over internal differences. School, work, distance and lifestyle changes had driver a rift between band members. After Scott’s departure the band recruited Tommy Corrigan from Silent Majority to form the short lived Advent. Even after their break up the band continued to get critical acclaim for their recordings. "Some Part Sorrow”, was voted as best NYHC Album of the Year by In Effect Fanzine and was featured on a list of AP's “Essential but Obscure Long Island Records”.

Dave Allen would later go on to play bass in Glassjaw, Jeff Fabb currently plays in In This Moment and Scott Jarzombek does the online fanzine Bystander . The purpose of this myspace account was to promote the forth-coming release of their discography “Some Part Hope.” This will feature a remasted version of “Some Part Sorrow,” the original recording of the bands debut E.P., the “Closed In” demo and select tracks from their live at WUSB recordings.

Tripface - Some Part Hope (1993-1997)

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Snapcase


...


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The Meatmen


Что может быть круче чем The Meatmen?
Tesco Vee For President!






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Robot Whales



At times, hardcore as a music format seems to stagnate - trends come in, a sound is "it", and all of a sudden the trade off is originality and new ideas. In the face of this, Robot Whales debuts with a sound all their own - blending a groove heavy sound with an atmospheric quality without leaving behind the influences that ground them solidly in the hardcore realm - think Inside Out and Burn colliding with Handsome and Quicksand. The sense that you are listening to something unique and new is present - rarely does a record come out that strikes as hard to your brain as "Vehicle" - infectious is the starting point, addicted is where it leaves you. For anyone who's grown weary with the retread records, Robot Whales delivers.
Ребята играют хардкор в духе поздних Burn, Into Another и у них это неплохо получается:)


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Final Exit


The members of Final Exit and Final Exit as a band where known for their uncompromising lifestyle (straight edge) and their hard, fast music. They where around since 87, from the beginning of the Umeå Hardcore scene.
В этом году на Monument Records будет переиздание дискографии (Det egentliga Västerbotten) на виниле + DVD с последним концертом.





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Police & Thieves



Featuring members of Youngblood alumnus WORN THIN, as well as members of BALBOA and BLEEDER RESISTOR, they carry on the tradition of melodic hardcore that DC put on the map. These four songs offer incredibly energetic and well played hardcore in the vein of VERBAL ASSAULT or DAG NASTY.


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Follow Fashion Monkeys


Хардкор, хардкор! и никакого метала:) Хит! напомнили мне Dead Kennedys, Agent Orange(без серф рифов) Одна из наиболее влиятельных панк рок групп Пенсильвании(Lehigh Valley) середины 8о-ых.Выпустили один лонгплэй в 85(на Clymer Records) В 87 записали новые песни для второй пластинки, но группа расспалась и новый альбом так и не вышел...

Follow Fashion Monkeys were a punk/hardcore outfit out of Bethlehem, PA that helped to influence and define the Lehigh Valley, PA scene. They self-released their self-titled first album in 1985 on Clymer Records. In 1987 they recorded what was to be their 2nd album, “The Diving Bull,” at Inner Ear Studios but the band broke up before it could be released. Two of these tracks made their debut on a couple of compilations



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Release - The Pain Inside


AWESOME Youth crew hardcore from New Jersey (1988-1990) Band Members: Rob Fish(108, Resurrection, Judas Factor): Vocals, Chris Zusi(Ressurection, Judas Factor, Floorpunch) : Guitar, Greg Shafer : Bass, Chris Caponegro : Drums, Joe Coia : Guitar




Myspace
Do It!

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